Brio | Mira | Cursa | Maia | Exon | Ios | Elicit |
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| Ios Phono Pre Amplifier The concept of the Rega IOS MC stage was born during development work performed on the microphone amplifier used during the recording of Christine Collisters Love album. The IOS is a dual mono discrete symmetrical pre-amplifier using a high performance transformer input stage. It has been primarily designed to match the Apheta, but with its selectable loading and gain it will easily match any other cartridge. The IOS combines the organic low noise gain properties of the transformer and low noise high bandwidth discrete transistor circuitry. Housed in the Rega extruded aluminium case and fitted with full metal front panel it maybe our most complete product to date. The function of a phono pre amplifier is to match the output from a pick up cartridge to the input of a line level amplifier. It is required to amplify the very low signals produced by the cartridge and also to equalise the in accordance with RIAA record cutting standard. Rega
believes that moving coil and moving magnet cartridges require different types
of phono pre amplifiers to achieve optimum performance. The Ios is therefore dedicated
to moving coil cartridges and avoids compromises. We
have avoided including any superfluous gadgets as they obstruct the signal path
and degrade the sound quality. The first stage uses a 1:10 step-up transformer, which can be optimised to the cartridge by the selection of the correct loading and zobel DC resistance correction network connected across the MC transformer secondary. The second stage is symmetrical compound pair class A amplifier, using paralleled low noise Hitachi transistors in the input stage. This drives the passive high frequency part of the RIAA equalisation stage. The
third stage is a symmetrical class A differential amplifier with a common base
driver stage; this is also used as the active amplifier in the low frequency part
of the RIAA equalisation stage. The
power supply is a using fast diodes and a low noise voltage reference. Each stage
has its own localised power supply, and LED referenced current generators. Very
high quality, polyproplene capacitors have been used in the signal path. 1% tolerance
polypropylene capacitors are used in the RIAA EQ stages and audio grade capacitors
are used in the rest of the circuit.
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